Two distinct versions have become prominent: one associated with the poet Thomas Moore who adapted it for his collection “Irish Melodies” in the early 19th century, and another version with lyrics attributed to the Irish-language poet Peadar Ó Doirnín (1704-1769). The song gained renewed popularity during the Irish cultural revival of the late 19th and early 20th centuries. Its evocative melody has made it a staple in traditional Irish music repertoires, performed by numerous artists including The Chieftains, Mary Black, and Cherish the Ladies.