What makes it quietly worth attention is the architecture still legible in the ruin: a five-bay front elevation with a central bow projection rising two storeys, the kind of formal compositional gesture that signals serious Georgian or early Victorian ambition, even if modest in scale compared to the great houses of the Irish midlands. The main doorway retains a wide-arched opening with the remnants of sidelights on either side, those narrow vertical glazed panels that were once intended to draw light into an entrance hall and to signal a degree of polished domestic taste.

The house sits over a basement, which in Irish rural houses of this type often served practical functions: storage, dairy work, or staff quarters, depending on the household's means. To the east, an enclosed farmyard indicates that this was a working estate as much as a residential one, the house and its agricultural infrastructure operating together as a single economic unit. A garden enclosed by a stone-faced, tree-lined bank also survives to the east, its boundary planting still marking the separation between the ornamental and the functional that such households were careful to maintain. About fifty metres to the north-west, a gatelodge has also fallen to ruin, its presence confirming that there was once a formal approach to the property, the kind of modest processional sequence, lodge to gate to house, that gave even smaller country houses a sense of order and arrival.