Above the well, a small niched shrine holds an accumulation of statues, candles, and photographs left by visitors over time. A shell-embellished cross rises from a stone grotto dedicated to the Blessed Virgin Mary, and the whole structure is crowned by a large, neatly trimmed fir tree, giving it an oddly formal, tended quality. Crosses have been etched into the stonework on each side of the well itself, layering devotion into the fabric of the place rather than merely displaying it on top.

The site is dedicated to St. Finian, a figure known in Irish tradition as Fionán Cam, the epithet "cam" meaning squinting or crooked, a detail that distinguishes him from the several other saints sharing that name in early Christian Ireland. Holy wells, typically natural springs or groundwater sources associated with a particular saint, have been focal points of local devotion in Ireland since at least the early medieval period, often blending pre-Christian reverence for water with Christian practice. The grotto element here, with its Marian imagery and shell decoration, belongs to a later tradition of vernacular religious building that became widespread in Ireland during the nineteenth and twentieth centuries, producing elaborate small shrines built from whatever materials came to hand. The combination of an ancient dedication and this more recent construction is entirely characteristic of how Irish holy well sites accumulate meaning across centuries.