Six architectural fragments, including two door jambs and two pieces from the original doorway arch, were removed at some point from the structure and repurposed as grave-markers, arranged to the south of the church. It is a quietly unsettling detail, the building cannibalised to mark the dead it once served, and it sits alongside another notable absence: a sheela-na-gig, one of those enigmatic carved female figures found on medieval Irish ecclesiastical buildings, was formerly set into the east wall of the church, though it is no longer in place.

The church itself measures roughly 15.75 metres by 8.4 metres and is built of coursed limestone rubble with dressed quoins at the corners. Both gables are still standing in reasonable condition, the west reaching approximately 5.5 metres to its apex, though the north and south walls have largely collapsed to little more than a metre in height. The east window survives and is worth examining closely: it is an ogee-headed single-light, that is, a narrow window with a pointed arch whose sides curve outward in a gentle S-shape, a form typical of later medieval Irish church architecture. It retains its chamfered external face, hollow spandrels, and drafted margins, and is rebated internally within a splayed, flat-headed embrasure. At the east end of the south wall there is an aumbry, a small recessed wall-cupboard used to store liturgical vessels, measuring roughly 42 centimetres wide and 55 centimetres deep. Late eighteenth-century gravestones lie within the roofless interior, suggesting the site remained in use for burial long after the church itself fell out of regular service. The River Suir runs approximately 300 metres to the west, and a tower house lies a similar distance to the southeast, placing this modest ruin within what was once a more densely inhabited and defended local landscape.