Roughly nineteen metres across and four metres high, with sheer sides and a grass-covered surface, it has the profile of something prehistoric, the kind of raised platform associated with ritual or burial across the Irish landscape. Yet a broad V-shaped depression cut into its western face, forming a deliberate path to the summit, gives it an oddly purposeful, almost theatrical quality that sets it apart from the usual archaeology of the region.

The mound is built from earth and stone, and where the grassy skin has slipped away, the underlying stone revetment becomes visible, suggesting a carefully constructed interior rather than a simple heap of soil. The site once formed part of the estate of Cummeen House, on land associated with the Ormsby family. Writing in 1984, researcher Timoney proposed that this mound and a nearby cairn were likely nineteenth-century demesne monuments, ornamental landscape features created by the estate rather than survivals from prehistory. The practice of constructing artificial mounds, follies, or prospect points within the designed grounds of a landed estate was not unusual during that period, when landowners sometimes borrowed the visual language of antiquity to give their parkland a sense of depth and drama. If Timoney's interpretation is correct, this mound is a kind of scenic prop, built to look as though it had always been there.