What makes these particular stones worth pausing over is the combination of heraldry and devotional imagery carved into them, two traditions that rarely share the same small collection of rubble.

The most legible of the four is an armorial stone, roughly 71 centimetres by 41, carved in shallow false relief, a technique that creates the impression of depth without undercutting the surface. It carries two heraldic crests: one associated with the Walsh family, and a second more elaborate design that blends elements from the Whitty and Deveraux crests, two surnames with deep roots in medieval Wexford's Anglo-Norman settler community. The initials "I W" appear above this compound crest, and the date 1637 is cut along the bottom, placing the monument in the decade before the catastrophic upheavals of the 1641 rebellion. Two further stones may originally have served as structural supports for the tablet. The fourth fragment, measuring approximately 70 centimetres by 50, is of a different character altogether: it is carved with symbols of the Passion of Christ, the ladder used at the crucifixion, the pincers, the dice cast by soldiers for Christ's garment, and the seamless robe itself. These Arma Christi, as such devotional emblems are known, were a familiar motif in late medieval and early modern religious art, intended to prompt contemplation of the suffering of Christ.