Straffan House, Straffan, Co. Kildare
Co. Kildare |
Main Houses
A campanile rising above a golf course is not the sort of thing one expects to find in rural Kildare, yet at Straffan the sight is unmistakable.
The tower, an Italianate flourish of the sort more commonly associated with northern Italian civic buildings, dominates the surrounding countryside and has long served as a landmark identifying the house within the locality. It caps a building whose front and rear elevations were designed with careful Classical symmetry, their decorative moulded render applied in string courses, sill courses and pediments in a manner the appraisal singles out as among the finest examples of French and Italianate influenced country house architecture in Ireland.
The house began in 1832 as a seven-bay, two-storey block with a dormer attic and a pedimented breakfront, built for the Barton family, whose estate here became the largest privately owned holding in the area and, in time, a major employer for the neighbouring village. Around 1850 the house gained its lower east wing and the four-stage campanile tower that still announces the building from a distance. Further changes followed: a remodelling and truncation around 1937 reworked the entrance bay and added a pediment, while renovations after 1949 restored the truncated section and introduced a recessed west bay fitted with an Ionic portico, a set of four columns in the Greek Ionic order, that had originally stood at the front of the house. Large-scale extensions in the 1990s and around 2000 added substantial new wings in a complementary style, including a second, smaller tower to the north-west that echoes the original campanile, though these later ranges are built to a scale that somewhat overshadows the Victorian and earlier fabric.
Despite the accretions, the earliest block retains much of its original character, with multi-pane timber sash windows, a slate roof and a decorative weathervane in early ironwork surviving on the tower. The relocated Ionic portico remains a notable piece of stonework, evidence of the quality of masonry practised locally when it was first carved. To the south of the house, the formal Italianate garden, laid out with a pool and fountain, occupies ground of recognised artistic and horticultural interest, while other portions of the wider estate have since been given over to a golf course.
