Emlaghyroyin House, Emlaghyroyin, Co. Roscommon
Co. Roscommon |
Main Houses
There is a quiet insistence on order about this house that gives away its age before any date is mentioned.
Three bays across, two full storeys over a basement, the windows marching in tripartite sashes on either side of a round-headed doorway; even the blind windows on the side elevations, put there purely to keep the proportions honest, speak to a mid-eighteenth-century builder who cared more about balance than utility. Nothing here was left to chance, and that deliberate symmetry is really the whole point of the place.
The house was built around 1770 as a country residence, at a moment when Irish landed families were increasingly borrowing the vocabulary of Palladian architecture, that fashion for calm, classically proportioned facades that had filtered down from grander townhouses and demesnes across the country. The hipped slate roof, stone chimneystacks and limestone eaves course are all part of that restrained formula, as is the roughcast render that covers the walls. The doorway is the one flourish allowed: a limestone surround, a timber panelled door, and a spoked fanlight above it, reached by a run of limestone steps that lift the entrance above ground level, a practical answer to the basement below as much as a statement of arrival. Behind the house, an enclosed cobbled yard is flanked by L-plan outbuildings with their own pitched slate roofs and rendered walls, an arrangement common to substantial houses of the period, where the working life of the estate was kept discreetly out of view of the principal rooms yet close enough to serve them. At the front, limestone gate piers and a simple wrought-iron gate mark the boundary of the site, a modest but formal threshold in keeping with the house beyond.
Much of the interior survives in a way that rewards attention: plaster cornices still run around the main reception rooms, and the basement floor is laid with flags, the heavy stone slabs typically used underfoot in service areas where durability mattered more than finish. Together these details, unshowy but intact, give a clearer sense of how the house actually functioned, upstairs and down, than the elegant front elevation alone ever could.