Mullingar Railway Station, Clonmore Road, Mullingar, Co. Westmeath
Co. Westmeath |
Railway Stations
Most railway stations sit obligingly beside a single line of track, but the station at Mullingar occupies the awkward wedge of ground where two lines split apart, a bow-fronted building squeezed between bifurcating rails.
It is, by its own design logic, an unusual solution to an ordinary problem, and it remains, as far as the records for Irish railway architecture go, without parallel.
The building dates to around 1856, replacing a temporary station that had served the site from about 1848, and it was designed by John Skipton Mulvany, an architect closely associated with the mid nineteenth-century expansion of Ireland's railways, working here for the Midland and Great Western Railway Company. What he produced was no mere functional shed: the station is faced in ashlar limestone, with quoins, a flush string course at first floor level, and moulded entablatures over the ground-floor window openings, all of it lending a formal, almost civic weight to a building whose job was simply to move people onto trains. The northwest entrance is marked by an open porch on cut limestone Doric pillars, and the hipped slate roof carries wide bracketed eaves that soften the building's otherwise disciplined geometry. Around 1896 the station was extended, and it is thought the surviving roofs over the platforms, carried on cast-iron pillars with pierced timber bargeboards, belong to this later phase rather than to Mulvany's original scheme. Pedestrian subways were added around 1900, taking over from earlier footbridges that had once carried passengers between platforms.
The station does not stand alone. It forms the centrepiece of a wider group of railway structures on the site, including further platforms to the south and northeast and a signal box just to the east, together making up one of the more complete surviving collections of railway architecture from this period anywhere in Ireland. Set on the southwest side of the town, it rewards a second glance at details easily missed at a walking pace: the shouldered limestone architraves around the segmental platform openings, the glazed timber double doors under their own moulded surrounds, the sheer consistency of stone dressing across a building whose primary purpose was always practical rather than decorative.