One, a trapezoidal shaped block, shows a figure rendered in high relief, apparently seated and holding something across its knee. The other bears what might be a human head. Centuries of weather and time have softened the details to the point where certainty slips away, leaving the viewer to read shapes into stone rather than read the stone itself.

The Urban Survey of Limerick, compiled by Bradley and colleagues in 1989, recorded both fragments as they appear beneath the east window of Galbally Church. The survey's authors suggested they may originally have formed part of a wall memorial, a type of commemorative monument typically mounted indoors or set flush into a church wall to mark an individual or family of some local significance. If that interpretation is correct, these blocks are the surviving remnants of something once meant to be legible and purposeful, a named person or scene, now reduced to ambiguity. The sandstone itself, a relatively soft and workable material, is precisely the kind of stone that carvers favoured for detailed work, and also the kind most vulnerable to long-term degradation.

Galbally Church carries the site reference LI049-086002- in the national record. The fragments are positioned under the east window, which is typically the liturgically significant end of any Christian church, oriented toward Jerusalem, so the placement may reflect the original memorial's deliberate positioning near the altar. Visiting in good, raking light, where sunlight catches a surface at a low angle and throws shallow relief into sharper shadow, gives the best chance of reading what remains of the carving. The seated figure and the possible head reward patience and slow looking rather than a quick glance, and it is worth spending time letting the eye adjust to the grain of the stone before drawing any conclusions about what the original carver intended.