It sits on a south-facing slope looking directly down over the Kilmacoo early ecclesiastical enclosure, a site associated with the early Christian period that predates the house by well over a thousand years. The building itself is a careful composition: a rectangular structure oriented east to west, with a five-bay front elevation, plate glass windows, and a half-hipped thatched roof. A half-hipped roof is one where the upper portion of the gable ends is cut back and covered by the main roof slope, giving the building a slightly rounded, tucked-in profile at each end. The thatch rises gently over the first-floor window openings, a subtle detail that speaks to the craft involved in fitting roofing material around a symmetrical facade.

The front elevation is the more formal face, with the central door set back behind a porch, giving it a modest dignity despite the rural setting. Ground-floor windows are slightly larger than those on the first floor, a common feature in Irish vernacular building where the proportions shift as the eye travels upward. The east elevation departs from the regular rhythm with a single enlarged central window opening and an attic window tucked immediately under the eaves, suggesting that the internal arrangement on that side did not follow the same logic as the front. The rear elevation is six bays wide and has a modern porch added at some point, a reminder that working farm buildings rarely remain static. What makes this house worth attention is less any single feature than the combination: a genuinely thatched roof surviving on a two-storey structure, a considered architectural arrangement, and a position that places it in quiet dialogue with a much older sacred landscape below.