The building is roofless and heavily overgrown at the rear, yet its south-facing entrance front survives with enough detail to show exactly what its builder was attempting: a deliberate blending of medieval drama and early nineteenth-century romantic ambition.

John Anderson constructed the house in the early 1800s, and rather than clear away an earlier castle on the site, he folded it into his design. The result is an entrance front of some architectural interest. On the south-west corner stands a four-storey circular tower belonging to the original castle; on the south-east, a slightly smaller D-shaped tower of three storeys was added to mirror it, giving the facade a symmetry it would not otherwise have had. Between them, three narrow central bays lead to a castellated porch, the kind of battlemented decorative parapet fashionable in the Gothic Revival taste of the period. The doorway itself is ogee-headed, meaning it has the pointed, S-curved arch associated with late medieval stonework, though the opening is now blocked. Hood mouldings, the projecting drip-stones above window and door openings designed to deflect rainwater, appear throughout. On the second floor of the castle tower, a drain spout with a carved face has been inserted, a small piece of ornamental stonework that survives amid the general decay. A Church of Ireland parish church sits on higher ground to the south, and the courtyard to the rear of the house retains the remains of two-storey outbuildings, though the back of the house itself has been largely destroyed and is now lost beneath vegetation.