Gunloops of this kind, narrow defensive apertures designed to allow a weapon to be aimed outward while offering minimal exposure to the shooter, belong to a much earlier tradition of fortified architecture. Their presence here, incorporated into the external west wall of what is essentially a kitchen garden, suggests that the ground beneath and around the present house has a longer and more complicated history than its Georgian exterior implies.

The house itself is a two-storey rectangular structure, built along a north-south axis and faced to the front with brick beneath render, while the remaining elevations are of random-rubble sandstone with limestone quoins at the corners. The entrance front, facing east, has four bays of sash windows with glazing bars and an off-centre porch sitting to the right, giving the facade a slightly asymmetrical air. Later additions accumulated over time: a conservatory at the north end of the front elevation, a lean-to on the south side, an oriel window projecting from the rear at first-floor level. The lodge at the entrance gate to the south is said, according to the owner, to have been built from stones taken from a nearby church whose location is no longer known. That detail alone carries a quiet unease. Also preserved in the walled garden is a fragment of a fireplace surround, roughly 46 by 42 centimetres, bearing part of a semi-elliptical arch decorated with a blank heraldic shield of seventeenth-century appearance. A carved stone plaque depicting a crucifixion scene, around 55 centimetres square and of eighteenth-century date, is held by the owner. Together, these salvaged and repurposed fragments point to earlier buildings on or near the site, structures that no longer stand but left their stonework behind to be absorbed, almost casually, into something newer.