The slab measures roughly 0.6 metres by 0.5 metres, modest in scale but quietly arresting in its placement, set not inside a church or graveyard but directly above a sacred water source whose use predates Christianity in Ireland.

What makes the piece particularly interesting is the evidence of continued, active devotion scratched into the stone itself. Visitors to the well have inscribed a small cross onto the carved figure, and a similar incised cross appears on the lintel stone below. This kind of informal marking is a familiar feature at Irish holy wells, where pilgrims have long left physical traces of their presence, whether in the form of votive rags, coins pressed into bark, or, as here, lines cut into the stone. The gesture of carving a cross onto an already devotional image creates a kind of layering, one act of faith folded onto another, the original sculptor's work absorbed into an ongoing local practice whose individual contributors remain entirely anonymous.