Demolished in the early 1990s, it had survived long enough as an abandoned structure to be documented, yet not long enough to be saved. What was captured before its loss is a precise architectural portrait of something quietly accomplished: a late eighteenth-century two-storey house, rectangular in plan, with a hipped roof and an entrance front composed of five bays.

The eastern façade followed a grammar typical of Georgian provincial architecture in Ireland. At its centre sat a pedimented breakfront, a slightly projecting bay topped with a triangular gable that gave the entrance a formal emphasis without excessive ornament. The doorway beneath it had been fitted with sidelights, narrow panes flanking the door itself, and above it rose a wide semicircular fanlight, the kind of detail that let light deep into a hall while signalling a degree of civic ambition on the part of whoever built it. By the time it was surveyed, those sidelights had been blocked. The side elevations were only a single bay deep, suggesting a relatively modest footprint behind the composed front. Later lean-to additions at the rear had begun to obscure the original layout there. Most intriguing was the curved wall on the south-western side, punctuated by blind round-headed niches, purely decorative recesses that imitate windows or arches without opening into anything. This wall connected the house to the surviving farm building behind it, creating a composed relationship between the domestic and agricultural ranges that was characteristic of better-appointed rural estates of the period.