The middle one of the trio is easy to overlook, wedged as it is between its two neighbours, but it is the pivot around which the whole arrangement turns. Its eastern doorway, just 75 centimetres wide and set slightly south of centre, opens directly opposite a corresponding gap in the wall of the hut to its east, so that the two structures communicate with each other rather than facing out onto open ground. That detail alone suggests these were not independent shelters thrown up at different times, but parts of a considered, interconnected plan.

The hut itself is rectangular, measuring roughly 5.1 metres north to south and 3 metres east to west, which makes it a compact but not unusually small structure by the standards of early Irish settlement. Its walls are drystone, meaning they were built without mortar, relying on the careful fitting of one stone against another, and they survive to a height of about 1.1 metres on the western side, though they have partially collapsed elsewhere. Wall thickness runs between 0.6 and 0.8 metres. Inside, the floor slopes down toward the south and is scattered with loose stones, some of which will have tumbled from the walls over the centuries. The three huts sit together in the north-east corner of a larger enclosure, and a second enclosure lies approximately 20 metres to the north, suggesting that whatever activity took place here was part of a broader pattern of land use rather than an isolated episode.

Gortnacurra sits in the landscape of south-west Kerry, a region where early medieval and prehistoric remains survive in considerable density, partly because the land was never intensively ploughed or developed in the modern era. Visitors approaching this kind of site should expect rough, uneven ground and no formal access infrastructure. The loose stone interior and partially collapsed walling mean care is needed underfoot, and the connections between the three huts become clearest when you stand at the eastern entrance and look across toward the adjoining structure, where the deliberate alignment of the two doorways becomes apparent.