It is small, asymmetrical, and visibly rough around the edges, yet that roughness is precisely what makes it worth a moment's attention. A stoup is a vessel for holy water, typically mounted near a church entrance so that the faithful may bless themselves on entering, and this one follows the basic form: a bowl raised on a shaft, resting on a base. What sets it apart is its material. Rather than being cut from a single consistent stone, it is composed of a mixture of sandstone, granite, and quartz, a conglomeration that gives it an improvised, almost patchwork quality.

The bowl itself measures roughly 32 by 42 centimetres, with an interior depth of around 10 centimetres, and it carries two projecting lugs, small ear-like protrusions on either side, each about 14 centimetres wide. These lugs are a feature associated with older ecclesiastical stonework, sometimes serving a functional purpose in mounting or stabilising a vessel, though here they appear as much a relic of form as anything else. The bowl is noticeably unsymmetrical. The shaft below it is short, only about 30 centimetres in length, and it sits on a stepped base that is crudely finished, with a cut step roughly 5 centimetres deep above a base some 25 centimetres deep. Nothing about it suggests a confident hand working to a refined plan. It reads instead like something assembled from available materials, or perhaps reused from an earlier structure, adapted to serve a continuing devotional purpose at the church entrance.