High on the west gable of a 19th-century church in the Narraghmore Demesne graveyard, a stone devil's head looks outward. It is a gargoyle, and a well-preserved one at that, carved with enough precision and conviction that it reads clearly as a deliberate artistic choice rather than a routine decorative flourish. Gargoyles of this kind served originally as waterspouts, channelling rainwater away from mortar and stonework, though by the 19th century the form was as often ornamental as functional, drawing on Gothic Revival fashions that were sweeping ecclesiastical architecture across Ireland and Britain. That this particular example has survived in good condition, mounted at height on an exterior gable, makes it something of a rarity.

The church itself sits within a graveyard that carries considerably older layers of occupation. The same ground contains the remains of an earlier medieval church, and a medieval font also survives on the site. A font, the stone basin used to hold water for baptism, was a central fixture of any parish church, and the presence of one here suggests the site's religious use stretches back several centuries before the 19th-century building replaced or supplemented whatever stood before it. The graveyard at Narraghmore is, in that sense, a place where different periods of Christian practice sit quietly alongside one another, the devil's head above watching over all of it.