It is easy to overlook, and perhaps that is precisely why it has survived. Among the fragments embedded there is a label stop, the decorative terminal piece that would once have marked the end of a hoodmoulding above a door or window opening, carved with raised vine leaves and an intertwined stem. It is the kind of detail that medieval craftsmen lavished on stonework intended to be seen at close range, and it is now marooned in a position that tells you almost nothing about where it originally came from.

Label stops could be purely geometric or richly figurative, and the vine-leaf motif has a long history in ecclesiastical carving across Ireland and Britain, carrying associations with eucharistic symbolism as well as simply functioning as a favoured decorative form. That this piece ended up concreted into a gable base rather than preserved or displayed suggests it was gathered up at some point during repair or reconstruction work and re-used as convenient fill, a fate that befell a great deal of medieval carved stonework when later generations found a building in need of attention and loose stones ready to hand. The fragment sits near the north wall of the church interior, close to another recorded feature on the same site, hinting that this corner of the building may have accumulated material from various phases of the church's history.