It is a peculiar fate for a piece of medieval ecclesiastical sculpture, the kind of carved relief that would once have occupied a prominent position in a religious building, drawing the eye of worshippers and communicating doctrine through image rather than word.

The panel is believed to originate from the medieval Dominican friary that formerly stood in Tralee. The Dominicans, a preaching order founded in the thirteenth century, established a presence in the town during the medieval period, and their friary would have been a significant architectural and spiritual centre in the region. When such buildings were dissolved, damaged, or demolished over subsequent centuries, their stonework frequently ended up dispersed, repurposed, or simply lost. In this case, the carved panel survived by being incorporated into the grounds of the modern Dominican church that succeeded the older foundation, though its precise journey from one setting to the other is not documented. The rockery context suggests it was recognised as something worth preserving, even if the manner of preservation is an unconventional one for a piece of carved medieval stonework.