The original structure and its later widening sit side by side, each telling a slightly different story in stone, and together they make an unusually readable record of how rural infrastructure was upgraded without being entirely replaced.

The older portion spans the river on seven semi-circular arches, rising gently in height as they approach the centre, a practical form that helps accommodate the varying depth of the channel below. The voussoirs, the wedge-shaped stones that lock an arch in place, are coarse and roughly dressed, characteristic of an earlier build when speed and local material mattered more than finish. Tall pointed breakwaters project from the piers to divide the current and protect the structure from flood debris. When the bridge was widened, by roughly two and a half metres on the downstream, eastern side, the builders matched the semi-circular arch form but worked with cut voussoirs, more precisely shaped and smoothly finished, and replaced the angular breakwaters with low rounded ones. The contrast between the two phases is subtle but consistent: same geometry, different craft, different era.