Not a modest dwelling, but a proper mansion house, the kind of address that signalled rank and ecclesiastical authority in seventeenth-century Dublin. Today, nothing of it remains above ground, and most people walking through this part of the city's south inner core would have no reason to suspect it was ever there at all.

The building in question was the residence of the Archdeacon of Dublin, a senior church official whose role, in the medieval and early modern church, sat just below that of the bishop in the diocesan hierarchy. The vicars choral, whose buildings neighbour the site to the west, were the singers and clerics who performed the daily choral services of the cathedral; the archdeacon's household would have formed part of the same dense ecclesiastical landscape that once clustered around St. Patrick's. A description from 1656 recorded the property as a mansion house, the precise phrasing suggesting something of considerable scale and status for its time. That description appears in Mason's 1819 historical account and is corroborated by later research from Bradley and King, as well as a historic map of the area. Beyond those references, the documentary record is thin.

There is nothing to see on the ground today, which is precisely what makes this site an interesting exercise in reading the city against its own grain. The area around St. Patrick's Cathedral has been heavily altered over the centuries, and the absence of visible remains is itself part of the story. For anyone curious enough to go looking, the general location lies immediately east of the surviving vicars choral buildings, which are themselves among the older structures in this part of Dublin. The cathedral grounds and the surrounding streets can be explored on foot, and while the mansion has left no physical trace, the broader medieval layout of the close, with its layered occupancy of clergy, singers, and officials, is still faintly legible in the arrangement of what does survive.