The complex is arranged around a walled yard, with two substantial two-storey ranges in sandstone facing each other across the space. What makes it unusual is the southern range, where the first-floor arched openings sit flush with the external ground level on the south side, a quirk that reveals the building's purpose: cattle could be fed from above, with fodder dropped or carried down from the upper storey into the byre below. It is a small but telling detail, the kind of thing that only makes sense once you understand what was being attempted here.

The residential house at the western end of the northern range carries an inscribed date of 1834, which gives at least a partial anchor for when the complex was taking shape. By 1842, the site appeared on the Ordnance Survey six-inch map labelled as a nursery, though local tradition identifies it as the home farm for the Cooke-Collis family of Castle Cooke, whose seat lay roughly one and a half kilometres to the northwest. A home farm was the working agricultural unit attached directly to a landed estate, supplying the house and often serving as a kind of experimental ground for new methods. The construction throughout is random-rubble sandstone with ashlar detail, the dressings cut to a finer finish than the rough walling around them. The northern range rises to three storeys in its central block, with wide ground-floor arches, and the upper storeys are covered in weatherslating, a technique using overlapping slates fixed vertically onto timber framing to shed rain from exposed walls. The western gable of the house carries ornate weatherslating as well, a decorative flourish on what was otherwise a functional complex.

The tall arched entrance in the roadside wall to the west still marks the threshold of the yard between the two ranges, and the enclosing walls on the east and west sides remain largely intact. The southern yard beyond the lower range is divided into two sections by further walling. For anyone passing through the Kilworth hills with an eye for the agricultural ambitions of the nineteenth-century landed class, this quietly detailed ruin repays a careful look.