The door it once presided over is sealed shut, a round-headed arch now leading nowhere, which gives the western face of the building an oddly formal, ceremonial quality for something that no longer functions as an entrance. A bellcote, a small wall-mounted turret designed to hold one or more bells in place of a full tower, rises from the same western gable, completing a façade that manages to feel both purposeful and quietly redundant.

The church stands at the centre of its graveyard, rectangular in plan, with a chancel extending to the east and a vestry attached. This arrangement follows the conventional orientation of Christian churches, placing the sanctuary end toward the symbolic direction of Jerusalem. What gives the site its particular historical texture is a note recorded by Brady in 1863, which places an earlier church in ruins on the same ground as far back as 1699. That ruined structure and the standing building are understood as separate, successive phases of religious use on the same spot, suggesting the site has drawn people for worship and burial across several centuries at least, even if the precise relationship between the two buildings remains unclear.