Behind the altar sits a classical reredos, the ornamental screen or facing that frames the altar wall, which sits in quiet contrast to the pointed Gothic windows ranged along the north and south walls. That mixture of classical decorative ambition and Gothic fenestration is not unusual in Irish Catholic churches built or fitted out in the nineteenth century, but it gives the building an interior character that repays a closer look.

The church appears by name on the Ordnance Survey six-inch map of 1842, which fixes it firmly in the period of gradual Catholic institutional recovery following the Relief Acts of the late eighteenth and early nineteenth centuries. Many rural chapels of that era were built simply and quickly, with refinements added over time as congregations grew and funds permitted. The rectangular plan here, oriented on an east-west axis with a sacristy projecting to the east, follows a thoroughly practical template. The four pointed windows on each of the long walls would have provided reasonable light for a congregation seated in the nave, while the gallery suggests a building that expected, or at least hoped for, a considerable number of worshippers. The graveyard in which the church sits is itself rectangular, with a more modern burial ground extending to the south.