The churchyard at Glenville, just north of the village on the east side of the road, does something slightly different: its graves are almost entirely modern, with one conspicuous cluster of early nineteenth-century Hudson family headstones standing apart in the L-shaped ground to the east, as if the deeper past simply skipped this place and left only a single family to mark it.

The church itself was erected around 1798, a period when Protestant Church of Ireland congregations across rural Cork were consolidating and building in earnest. The structure is straightforward in plan, a rectangular nave with three pointed windows along the south wall and one on the north, giving it a modest but considered Gothic character. A two-storey tower at the western end, finished with small pinnacles at its corners and shallow pilasters framing the angles, adds a degree of formal ambition to what is otherwise a plain country church. The building was not finished all at once. A vestry was added to the north wall by 1860, and a shallow chancel was extended eastward in 1896, its east window composed of three grouped lancets, the tall narrow arched openings associated with Gothic Revival ecclesiastical work. The result is a building that accreted slowly across a century, each addition documented and datable, the fabric itself functioning as a kind of architectural record of a rural congregation's evolving needs.

The church remains in use, which means the building is maintained and the graveyard is active. The Hudson headstones, isolated in their early date among so many twentieth-century neighbours, are worth a moment's attention for anyone with an interest in the social history of the area.