Carved into or attached to it is a bird, possibly heraldic, gripping a shield. It is the kind of object that raises more questions than the surrounding landscape can answer, and it is almost all that physically survives of what was once a substantial late seventeenth-century country house.

The house itself was, by any measure, an ambitious piece of architecture for its period. Writing in 1978, the architectural historian Mark Bence-Jones described it as having two storeys with a dormer attic, a seven-bay centre flanked by gable-ended projecting wings, pediments above the first-floor windows, and tall chimneys climbing above the roofline, with a long two-storey service range running along one side. An eighteenth-century print, reproduced by Rosemary ffolliott in 1974, shows ornamental gardens laid out in front of the building, with cut-stone pillars marking the approach. The composition suggests a household of some means and architectural ambition, though the historical record preserved here does not name the family responsible. The house was demolished in the 1940s, a fate shared by many Irish country houses during the mid-twentieth century, when maintenance costs, changes in land ownership, and shifting social circumstances made such buildings impossible to sustain. What remained after demolition has since been absorbed into the working farm around it.

What a visitor encounters today is a short section of overgrown two-storey wall, still standing but smothered in vegetation, and that recumbent limestone column lying close by. The mature parkland trees survive, their scale a reminder of the designed landscape that once surrounded the house, even as the farm buildings around them have been modernised beyond recognition. The fallen column, with its uncertain carved figure, is the detail that lingers; heraldic stonework of this kind was typically commissioned for gateways or formal entrances, and to find it horizontal in a field, its shield-bearing bird facing the sky, gives some sense of how completely the rest of the place has gone.