The gabled projections shown in early-twentieth-century photographs have since collapsed, and what remains is a composition simultaneously grand and undone, the pointed window opes and hood mouldings still legible, the octagonal belfry-like turret above the entrance tower still rising at the south end of the façade, presiding over nothing enclosed beneath it.

The house was built around 1836 to a design by William Vitruvius Morrison, one of the leading architects of his generation in Ireland and a practitioner well associated with the Tudor Baronial style, a mode of architecture that borrowed the vocabulary of late-medieval English manor houses, with its battlements, pinnacles, and mullioned windows, and applied it to the domestic ambitions of nineteenth-century landowners. Morrison did not begin entirely from scratch. The site already held what Samuel Lewis, writing in 1837, described as an elegant mansion of some antiquity, and the rear elevation, three storeys tall and built largely of random-rubble limestone rather than the coursed ashlar of the newer front section, may represent a remodelled portion of that earlier structure. The entrance front faces east and displays the full repertoire: a coat of arms above the pointed doorway, shouldered gables, gablets, pinnacles, and on the south-facing view front, a bay window topped with an embattled parapet. To the immediate west of the main house a seven-bay, single-storey orangery echoes the same Tudor detailing, its slim pointed window opes separated by pinnacled buttresses, though it now sits under a corrugated-iron roof on iron trusses. The wider demesne retains further traces of its working past: an ice house to the north, a walled garden, ornate two-storey farm buildings enclosing a courtyard, a classical tripartite entrance gateway to the southeast, and field names recorded as recently as 1934 that include a brick field and a kennel field, quiet evidence of the infrastructure that once supported a household of this scale.