The façade is arranged across five bays, with a central pedimented breakfront, that is, a section of the wall that projects slightly forward and is capped with a triangular gable, giving the entrance a formal emphasis without resorting to grand columns or porticos. Stacked above the central doorway, each storey receives a different window type: a Venetian window on the first floor, with its characteristic arched central light flanked by narrower rectangular ones; a Diocletian window on the second floor, a semicircular opening divided by two mullions, borrowed from the thermal baths of ancient Rome and adopted enthusiastically by Georgian architects; and finally a blind oculus, a sealed circular recess, set into the pediment itself. It is a composed, almost pedagogical progression of forms.

The house is three storeys tall and gable-ended, with chimneys sitting on the gables rather than rising from a central stack, a arrangement common in Irish rural houses of the period. To the rear, two-storey gabled additions were built out from the main block, and one- and two-storey stone farm buildings are arranged around a courtyard behind, suggesting the house functioned as the centre of a working agricultural holding. A detail worth noting is the trace of weatherslating still visible on the back wall. Weatherslating, the practice of fixing overlapping slates to an exterior wall to protect the masonry beneath from driving rain, was a practical rather than decorative measure, and its survival on the rear elevation hints at the harsher exposure that the back of the building faced. The house has been restored, though the original fabric clearly retains enough integrity to preserve these material traces of how it was maintained and adapted over time.