What makes it quietly arresting is how intact its formal ambitions appear to be: the entrance front still presents five bays to the south-southwest, with a central doorway whose elliptical head frames a vertical half-door and fanlight, the whole thing supported on plaster Ionic columns. These are the architectural gestures of a household that wanted to signal respectability, even refinement, and the fact that the building has been abandoned only sharpens that impression.

The house dates in appearance to the late eighteenth or early nineteenth century, a period when the Anglo-Irish gentry were enthusiastically rebuilding and enlarging their rural seats in a version of the Neoclassical style filtering through from Dublin and London. The asymmetry of the elevations, four bays on the left end and three on the right, suggests either that the building was extended at some point or that the original plan was never quite symmetrical to begin with. A hipped roof, in which all sides slope downward to the eaves rather than ending in a gable, sits above the whole, broken by a central valley and two chimneys placed off-centre. A lower addition to the rear and farm buildings to the northwest indicate that this was a working agricultural estate as much as a domestic residence, the productive machinery of the demesne pressing close against its formal face.