It is the kind of detail that rewards a second look, a quiet irregularity in an otherwise composed facade, and it hints at the pragmatic, slightly improvisational character of rural Irish building in that era, when pattern-book ideals from Dublin or London were adapted to local materials, local budgets, and local needs.

The house dates to the late eighteenth or early nineteenth century and presents its entrance front to the east, with five bays arranged around a central round-headed door opening fitted with a fanlight, the semi-circular glazed panel above a door that was a common feature of Georgian domestic architecture, allowing borrowed light into the hallway. Below the ground-floor windows, the walls are weatherslated, a practical cladding in which slates are hung vertically over the masonry to shed rain, a technique found across Cork and Kerry where Atlantic damp makes it a sensible precaution rather than a decorative choice. The same treatment is applied to the southern elevation. To the rear, a gabled projection extends the plan, and farm buildings to the west confirm what the modest scale of the house already suggests: this was a working agricultural holding, not a demesne seat, but the home of someone who wanted the formal vocabulary of the period applied to a functional rural property.