The building is one storey tall, which already sets it apart from the grander two-storey farmhouses and minor gentry seats that dot the Cork countryside. It was built to look respectable rather than grand, and the care taken with its front elevation suggests an owner who understood the language of Georgian domestic architecture without necessarily having the means to speak it at full volume.

The house dates in appearance to the late eighteenth or early nineteenth century, a period when a particular vernacular polish was being applied to rural buildings across Munster. The front face presents three bays to the south-east, the middle one given over to a round-headed door opening fitted with a fanlight above and a vertical half-door below. A half-door, hinged horizontally across the middle so the upper section can be left open while the lower stays shut, was a practical fixture common to farmhouses of this era, keeping animals out while allowing light and air in. The walls are rendered over random-rubble sandstone construction, with sash windows sitting on limestone sills. A hipped roof with deeply projecting eaves runs across the top, two chimneys placed off-centre in the way that often reflects the internal arrangement of hearths rather than any concern for external symmetry. A gabled addition was put up at the rear, and to the north-west two ranges of farm buildings enclose a yard, indicating that the house sat at the centre of a working agricultural holding rather than any purely domestic arrangement.

What makes the place quietly arresting is precisely that combination of modest architectural ambition and subsequent abandonment. The detailing, the fanlight, the limestone sills, the carefully proportioned bays, points to someone who wanted a house that would be noticed and respected. The current state of the building, left standing but no longer inhabited, preserves that intention in a kind of suspension.