What remains is a roofless shell whose original symmetry is still legible in the stonework, the kind of building that rewards a careful look precisely because it refuses to announce itself.

The house presents its entrance front to the south-west, where a central two-storey block once carried a hipped roof, the kind of low-pitched, four-sided roof common to Georgian and Regency domestic architecture in Ireland. At the centre of this block a bow-front projects outward, with a wide door opening set behind what appears to be a later porch addition, and a large window positioned directly above. To either side, set slightly back, are single-storey, single-bay wings, also originally hipped-roofed, with the south-eastern wing continuing further towards the rear of the building. The walls throughout are rendered over random rubble, meaning the underlying stonework is irregular fieldstone rather than carefully dressed ashlar, given a smooth exterior coat that would once have given the impression of a more refined finish. Around the back, the central block reveals a broad gabled end built in brick, with a pediment, the triangular decorative feature borrowed from classical architecture, rising to a substantial chimney stack. A rounded, arched window on the south-eastern side lit what would have been the staircase, a detail that points to a house built with some architectural intention even if not by a prominent architect.

The overall composition, a projecting central bay flanked by lower wings, follows a standard late Georgian or early Regency formula popular among the middling gentry of rural Munster, practical in its layout and restrained in its ornament. No specific date of construction or family name is attached to the record, which leaves the house in the condition of many such places in north Cork: structurally eloquent but historically anonymous.