The one-storey farm buildings that extend from the flanks of the main house present their east-facing walls as though they were the facades of a minor palazzo, with ornate round-headed niches and pavilion-like end bays arranged in shallow breakfronts. It is an unusual sleight of hand, using decorative stonework normally associated with pleasure grounds or walled gardens to give a utilitarian yard an air of composed formality.

The house itself dates from the late eighteenth or early nineteenth century and is built on a straightforward two-storey plan with a basement to the rear. Its entrance front faces east across five bays, with a central porch reached by iron steps, sash windows on either side, and a hipped roof above with a central valley and deeply projecting eaves. The rear elevation is slightly narrower at four bays, the asymmetry presumably a consequence of the sloping ground. A mid-nineteenth-century gate lodge marks the entrance to the property at the far end of a long avenue, and the approach itself carries a quiet historical layer: the avenue crosses a single-arched bridge that sits adjacent to the site of Killee church and its graveyard, placing the house in a landscape already long inhabited before the first stone of the house was laid.