It is L-shaped in plan, which is to say that a gabled projection at the northern end of its rear wall gives it that characteristic footprint, with a lean-to addition occupying the rest of the back. The front elevation faces east across five bays, with a central door framed by a rectangular fanlight and a wooden surround, and sash windows fitted with glazing bars set into brick-dressed openings. Projecting chimney stacks run the full height of both gables, giving the roofline a certain formality.

The house is described as being of 18th-century appearance, and the architectural details bear that out. The Venetian window on the first floor of the rear wall is a particularly telling feature: this type of window, with its arched central light flanked by two narrower flat-headed lights, was fashionable among the Anglo-Irish gentry and middling landowners throughout the 1700s, a borrowed flourish from Palladian architecture that found its way onto farmhouses and modest country seats alike across Munster. Attic windows on the northern gable suggest the upper floor was in active use, perhaps for domestic staff or storage. The brick dressing around the window openings, in a region where limestone and rubble construction were common, implies a degree of ambition and resource on the part of whoever commissioned the building. Taken together, the details point to a household that wanted to signal status through architectural vocabulary, even at a provincial remove from the fashionable terraces of Cork city.