What makes it worth a second look is the geometry of it: a four-bay, two-storey structure with chimneys set on the gables rather than rising through the roof ridge, a detail that gives the building a slightly austere, end-stopped silhouette. Later additions extended the plan westward, turning the original rectangular block into an L-shape, which suggests the house grew incrementally as its occupants' needs or ambitions changed.

The house dates to the eighteenth century, a period in which West Cork saw a steady, if unspectacular, spread of such modest gentry houses across the countryside. These were rarely the grand demesnes of the Ascendancy's upper tier; more often they were the homes of smaller landowners, middlemen, or prosperous farming families who built in a plain, functional idiom that owed something to the formal symmetry of Georgian fashion without fully committing to its proportions. The four-bay front is slightly unusual in that regard, since Georgian convention tended to favour odd-numbered bays to allow a centred doorway; a four-bay facade places the entrance necessarily off-centre, lending the house a subtly asymmetrical quality. Nearby, a single-storey lodge also survives, though now derelict, a remnant of whatever modest estate arrangement once organised the approach to the main house.