The western entrance front shows only two bays, a restrained face to the world, while the southern elevation opens out to four, catching whatever light and air rolls in from that direction. It is the kind of asymmetry that rewards a slow walk around the building rather than a quick glance from the gate.

The house is a rectangular structure of two storeys over a basement, built in a manner typical of provincial Irish gentry architecture of the period. The entrance on the western front is framed with some care: engaged composite columns, a classical order in which the capital combines the scrolled volutes of the Ionic with the acanthus leaves of the Corinthian, support a shallow entablature above the doorway, and a semicircular fanlight sits above the door itself. A flight of steps leads up to this entrance, lifting the threshold above ground level in the way that a basement storey demands. The roof is hipped, meaning it slopes inward on all sides rather than ending in gable walls, and has a central valley where two sections of roof meet, with a pair of off-centre chimneys breaking the roofline. On the northern side, a two-storey range of stone farm buildings encloses a courtyard, the working half of the establishment sitting close against the domestic one in the practical arrangement common to Irish country houses of this scale.