It has a rounded head and short arms of unequal length, roughly shaped rather than finely dressed, the kind of object that rewards a close look rather than a distant glance. Scattered across the same mound are quartz stones and a number of uninscribed grave-markers, the whole ensemble sitting quietly in the north-western corner of the enclosure like something the landscape has been slowly absorbing for centuries.

The mound itself measures roughly eleven metres along its long axis and stands no more than a metre high, denuded over time to a low, stony rise. The quartz stones on its surface are likely deliberate rather than incidental; quartz has a long association with burial sites in Ireland, appearing at Neolithic passage tombs and at early medieval graves alike, possibly for reasons of light, purity, or older beliefs that have not survived clearly in the record. The uninscribed grave-markers and the roughly worked cross suggest a burial ground of early Christian character, the kind of small, local sacred space that once existed in considerable numbers across rural Ireland, often tied to a local saint or a particular community rather than to any major ecclesiastical centre. An Bhinn Bhán, the Irish placename, translates roughly as the white or bright peak, a name that suits a Kerry hillside where quartz would have caught the light.