The separation gives the monument an air of quiet dissolution, a shape that was once whole and legible now requiring a moment's imagination to reconstruct. Cross-slabs of this type, upright stones carved with a cross and sometimes a figurative scene, are among the earlier forms of Christian grave marking in Ireland, often associated with enclosed ecclesiastical sites that predate the formal parish church system.

The slab, standing just under a metre in height when intact, is set within the south-western corner of an oval enclosure, the kind of curvilinear boundary that frequently signals an early medieval religious site. The enclosure contains a graveyard with several small, uninscribed grave-markers arranged in rows, their anonymity typical of burial grounds where identity was committed to memory rather than stone. The cross-slab itself once carried something more ambitious: a crucifixion figure carved in low relief on one face. By the time Liam Price documented the site in 1945, that figure had already worn away to invisibility, leaving only his description as evidence that it ever existed. What remains is the granite form, the pointed head, the arms, and the break that has left the two pieces resting together on the slope.