The slab is fragmentary, its original edges long gone, its terminals lost, and yet the incised lines that remain are enough to make out something deliberately carved rather than accidentally marked. What is quietly odd about it is the irregularity of the cross itself: three of its limbs were outlined with four parallel lines, while the fourth was traced with only two. Whether that asymmetry reflects a craftsman's decision, an interruption, or damage accumulated over centuries, nobody can say with certainty.

The slab measures just over a metre in length and a little under thirty centimetres at its widest point, carved from limestone and laid recumbent, meaning it rests horizontally rather than standing upright. Near its widest end there is a semicircular feature, sometimes called a boss, which suggests a degree of decorative ambition even on what was likely a grave marker. Cross-slabs of this kind, flat stones inscribed with a cross to mark a burial or a sacred space, were common across early and medieval Irish ecclesiastical sites. This particular example is thought to date to the thirteenth century, placing it in the context of the medieval abbey at Eanach Dhúin, a site on the southern shore of Lough Corrib in County Galway. The scholar J. Higgins documented it in detail in 1987, noting both its dimensions and the peculiarities of its design.

The slab sits within the abbey nave, so a visit to the ecclesiastical complex itself is the only way to see it. It requires the kind of attentive looking that fragmentary carved stones always demand: the lines are worn and the slab has suffered considerable loss, but the cross pattern, uneven as it is, remains legible to a patient eye.