It is easy to walk past without a second glance, but the slab carries a carefully composed design: a Latin cross with hollowed angles, meaning the corners where the arms meet the shaft are scooped inward, carved in slight relief, with the baseline extended upward on both sides to form a framing panel that encloses the entire composition. The whole thing measures just over a metre in length and less than half a metre wide.

The scholar R.A.S. Macalister recorded the slab in his work published between 1916 and 1917, classifying it as being of twelfth-century type. It lies in the western half of the Saint's graveyard, close to the western wall of a structure known as Teampal na bhfear ngonta, which translates roughly as the Church of the Wounded Men, a name that carries its own unresolved history. Cross-slabs of this general kind, recumbent grave markers incised or carved with crosses, were common across early medieval Ireland, and the framed-panel format seen here appears in a number of examples from the period. What makes this one quietly interesting is the precision of the design within such a modest scale, and the way the extended baseline transforms a simple cross into something closer to a formal emblem, contained and deliberate.