That distinction matters more than it might first appear. Cross-slabs, flat stones incised with a cross and sometimes accompanied by decorative knotwork or an inscription, were typically associated with early medieval ecclesiastical sites, marking graves or boundaries, or serving as focal points for prayer. When a slab ends up catalogued under a "present location" separate from its original context, it usually means the object has been moved, sometimes carefully preserved, sometimes simply displaced by development or neglect, and that its original setting is either lost or recorded elsewhere.

The monument is catalogued in the Archaeological Survey of Ireland under the reference SL039-074013, with the current Dublin South City location registered as a secondary entry. The primary record for the slab sits elsewhere in the survey database, meaning this entry exists specifically to document where the object can now be found, as distinct from where it once stood. This kind of split record is relatively common for portable or semi-portable stone monuments across Ireland, particularly carved slabs that were removed from graveyards, ruined churches, or townland boundaries during the eighteenth or nineteenth centuries, when antiquarian interest led to the collection and relocation of early Christian stonework into private gardens, institutions, and museum collections.

For anyone wanting to locate the slab, the survey reference provides the most reliable starting point. The Archaeological Survey of Ireland database, accessible through the National Monuments Service website, links the present-location record to the primary entry, which should carry more detail about the slab's physical description and earlier provenance. It is worth contacting the relevant institution or landowner identified in the full record before visiting, since access to moved stonework is often informal and dependent on private permission. If the slab retains its incised decoration, close-raking light, ideally in the lower sun of morning or late afternoon, will bring out the carved lines far more clearly than flat midday illumination.