The stone has been moved, catalogued under a separate record for its original site, and now occupies what archivists drily term a "present location", a designation that quietly signals a more complicated past. Cross-slabs, for those unfamiliar with the form, are flat or upright stones incised with a cross, often produced in Ireland from the early medieval period onward as grave markers or devotional objects. They are common enough in monastic contexts, less common in the middle of a city, and rarer still when their provenance has become partially detached from the object itself.

The record for this stone is held under the reference TN012-010004-, which indicates that the slab's original findspot or primary association is documented elsewhere in the Sites and Monuments Record. This kind of split entry arises when a stone has been relocated, whether for safekeeping, as part of a collection, or simply because it turned up somewhere unexpected during construction or clearance work, which in Dublin's south city has been a near-constant process across the centuries. The city's dense archaeological layers mean that early medieval material regularly surfaces in unexpected contexts, folded into the fabric of later buildings or stored in institutions that took custody of objects whose original settings had long since disappeared.

Because the precise present location is recorded administratively rather than described in detail in the available notes, a visitor hoping to see the slab directly would be best served by consulting the National Monuments Service or the relevant holding institution before making a trip. Dublin's south city contains several repositories, including church collections and museum stores, where early carved stones are held, sometimes on display and sometimes not. If access is possible, the thing to look for on a cross-slab is the style of the incision itself, whether the cross is simple and linear or elaborated with expanded terminals, interlace, or other decorative work, since these details help place a stone within a broader chronological and regional tradition. The condition of the surface, often worn smooth or stained with lichen from its years in an outdoor setting, tends to tell its own quiet story.