The slab is not where it began. Its entry in the archaeological record flags it plainly as a present location, a phrase that carries a quiet weight, suggesting movement, displacement, or at the very least a history of being shifted from one place to another. Cross-slabs of this type are among the more understated survivals of early medieval Ireland, flat or roughly dressed stones incised with a cross, sometimes plain, sometimes elaborated with interlace or geometric ornament, and typically associated with monastic or ecclesiastical sites where they marked graves or served as devotional focal points.

The slab is catalogued under the reference WI001-022006, which places it within the Sites and Monuments Record maintained by the National Monuments Service. That record distinguishes between an original location and a present one, a distinction that matters more than it might first appear. Early Christian carved stones were frequently moved during land clearances, church rebuildings, or the general upheaval of post-Reformation centuries when monastic properties changed hands and their physical fabric was scattered, reused, or simply forgotten. Dublin south city has a long ecclesiastical history, with foundations reaching back to the early Christian period well before the Norse settlement and later Anglo-Norman consolidation of the town, and carved stonework from that era occasionally surfaces in unexpected settings, incorporated into later walls or kept in institutional collections.

Because the present location is recorded separately from the stone's origin point, a visitor hoping to see it would do well to consult the National Monuments Service database directly before making the trip, since institutions and holding arrangements can change. The record itself is the most reliable guide to where the slab currently rests and whether it is accessible to the public. If it is held within a museum or civic collection, access is likely straightforward; if it has been placed in a churchyard or incorporated into a building, the approach may require a little more patience. The incised cross, whatever its precise form, is the thing to look for, a line or lines cut into stone with an economy that has outlasted almost everything else around it.