It now forms part of the 14th Station of the Cross, the final station in the sequence, marking the entombment of Christ. The stone itself predates this arrangement by centuries.

The slab carries a ringed cross, a form in which a circle connects the arms of the cross, rendered here in three incised lines with plain, straight-ended terminals. Around the entire face runs a deeply cut border with a V-shaped section, a technique that required considerable skill and intention, suggesting this was no casual or utilitarian piece. Cross-slabs of this type are associated broadly with early Christian Ireland, when carved stones marked graves, boundaries, or places of prayer, and were often left unattached to any architectural structure. How this particular example came to rest at Esker, and what its original context may have been, is not recorded. What is clear is that whoever arranged the Stations of the Cross along this woodland path recognised the stone as something worth preserving and gave it a place within a living devotional landscape rather than leaving it to chance.

The monastery grounds at Esker are accessible to visitors, and the Stations of the Cross follow a wooded path through the property. The cross-slab itself is set into the 14th Station, so anyone walking the full sequence will arrive at it naturally. It is worth pausing to look closely at the border and the incised cross, details that are easy to pass over but which reward attention.