Duncannon Martello Tower (South), Duncannon, Co. Wexford

Co. Wexford |

Coastal Defenses

Duncannon Martello Tower (South), Duncannon, Co. Wexford

There is something almost sculptural about a Martello tower once you notice the taper.

The walls lean inward as they rise, a batter that gives the whole squat cylinder the look of an upturned flowerpot, and it is this quiet bit of geometry, more than any single feature, that identifies the type at a glance. At Duncannon, the tower stands as one of a pair, built to a design so standardised that its cousins can be found at Bartra in County Dublin and at Bray in County Wicklow, all raised within a few years of one another and all sharing the same compact circular plan, the same flat parapeted roof platform known as a terraplain, and the same disciplined absence of ornament. What marks this particular example out is the stone: a honey-toned granite, cut and tuck-pointed with evident care, the ashlar walls resting on a chamfered plinth and finished with cut-granite coping at the parapet. It is not a ruin thrown up in haste, whatever its later history suggests.

The tower was built in 1815, part of a chain of coastal defences raised around Ireland and Britain in response to the Napoleonic threat, and named, by tradition, after a fortified tower at Mortella Point in Corsica that had impressed British forces with its resilience during an earlier siege. By the time Duncannon's tower went up, the design had been refined into something close to a formula: thick battered walls to deflect cannon fire, a single door raised above ground level, and a gun platform on top rather than a pitched roof. Peace with France came within months of completion, and the practical need for such defences evaporated almost as quickly as they had been built. This tower's working life was correspondingly brief; it was recorded as dismantled in 1837, little more than two decades after construction, and it suffered a further attack in 1868, leaving it in the disused state it retains today. The camber-headed window openings, framed in granite voussoirs and centred on cut-granite keystones, still hold their cast-iron bars, a small but telling survival from a building otherwise stripped of function.

The grounds around the tower have been relandscaped, which makes for an easier approach than the tower's original defensive purpose would suggest, though the structure itself remains firmly closed to entry. What rewards a visit is really the reading of the stonework at close range: the crispness of the tuck pointing, the way the plinth's chamfer catches the light differently from the smooth batter above it, and the sense, standing beside its paired companion, of a piece of coastal engineering conceived as a set rather than a single object.

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