What makes it unusual is not any single feature but the combination: a substantial enclosure wall, a small oratory, a carefully built inner enclosure, and, threading through all of it, dozens of uninscribed upright stone slabs marking what is almost certainly a children's burial ground. Sites of this kind, known in Irish tradition as cilliní, were used for the interment of unbaptised infants and others who could not receive burial in consecrated ground. They tend to occupy older, sanctified spaces, and this one appears to be no exception.

The outer boundary is a subrectangular enclosure measuring roughly 28.8 metres north to south and 49 metres east to west internally, defined by a low rubble wall faced on the outside with coursed drystone masonry. A slight inturning of the wall face at the south-west corner may preserve the line of the original entrance. Within this boundary, towards the centre of the site, sits a smaller rectangular enclosure about 6.9 by 6 metres, its internal angles gently rounded and its western entrance marked by a notched slab. Inside that inner enclosure is a low rectangular mound of stone, roughly 40 centimetres high, with traces of deliberate coursing and a notable quantity of quartz incorporated into its fabric. To the north-west of this stands the ruin of a drystone oratory, a rectangular structure whose north side-wall still rises to around 8 metres and displays corbelling, a technique in which stones are laid so that each course projects slightly inward, used in early Irish ecclesiastical buildings to support roofs or upper walls without timber or mortar. The oratory's walls average 1.2 metres thick, its western entrance is just 0.7 metres wide, and the eastern end-wall shows a noticeable inward lean. According to local information, a souterrain, an underground stone-lined passage associated with early medieval settlement, also lies somewhere within the enclosure, though its precise location has not been confirmed by survey. The uninscribed grave slabs occupy a roughly 28 by 14 metre area at the centre of the site, spreading through both the oratory interior and the inner enclosure, their silence saying something about the long, layered use of a place that began as a place of worship and became a place of quiet, unofficial grief.