Where a circular earthwork once stood, roughly thirty metres across, there is now a working farmyard and level ground, the enclosure so thoroughly erased that aerial photography taken as recently as February 2020 shows no trace of it whatsoever. That absence is itself the point of interest, a monument to how quietly the past can be absorbed into the landscape.

The site appears clearly enough on the 1840 edition of the Ordnance Survey Ireland six-inch map, drawn as a circular enclosure with a separate field boundary already pressing against its southern side. By the time the twenty-five-inch edition was surveyed in 1897, the shape had shifted slightly in the record, rendered as an oval embanked enclosure measuring thirty metres north to south and thirty-four metres east to west, with no external ditch noted. An enclosure of this kind, a roughly circular earthen bank defining a contained area, is a form found widely across Ireland and associated with a broad range of uses across many centuries, from early medieval settlement to pastoral management. The 1897 map also shows that the southern boundary had already been partially removed and folded into a post-1700 linear field boundary, the kind of gradual cannibalisation that happens when land is reorganised for agriculture. When archaeologists from the Archaeological Survey of Ireland visited in 2000, no above-ground trace of the monument remained. That post-1700 field boundary may still carry within it a buried fragment of the original southern bank, though nothing confirms it at the surface.

The site sits on level ground within a modern farmyard, approximately 400 metres east of the townland boundary with Fanningstown and 200 metres south-south-east of a second enclosure recorded nearby. Because this is an active agricultural holding, there is no public access or formal visitor provision, and given that nothing is visible above ground, there is little for the eye to find in any case. Its value is almost entirely archival, a reminder of how the Ordnance Survey maps of the nineteenth century captured monuments that were already disappearing, preserving in ink what the land itself has since forgotten.