Enclosure, Chapelizod, Co. Dublin

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Enclosures

Enclosure, Chapelizod, Co. Dublin

Somewhere in the south-eastern corner of Phoenix Park, a circle roughly thirty metres across lies just beneath the surface of the grass, invisible to anyone walking over it, yet legible from the sky.

It shows up as a cropmark, the kind of subtle discolouration that appears in dry conditions when buried features affect how plants grow above them, leaving a ghostly outline that aerial photography can catch even when the ground betrays nothing at all. What makes this particular circle interesting is that nobody is quite sure what it is.

The site sits approximately sixty metres north of artillery batteries connected to an 18th-century bastioned fort, a style of defensive fortification characterised by projecting angular ramparts designed to eliminate blind spots for cannon fire. Both the batteries and the nearby Magazine Fort appear on the 1837 edition of the Ordnance Survey six-inch map, which places the military context of the wider area on firm historical ground. That same map shows a grove of trees at the location of the circular cropmark, and this detail opens the question of interpretation. The circle may represent a tree-ring, a form of ornamental planting used in designed landscapes, or it could be the remnant of some other deliberate landscaping feature from after 1700. A Google Earth orthophoto taken on 7 May 2017 suggests the cropmark sits within the south-eastern quadrant of what appears to have been a formal garden, its outline also faintly visible from the air. The record was compiled by Caimin O'Brien, drawing on details provided by John Mulligan, and uploaded in May 2020.

The cropmark is not something you can visit in any conventional sense; there is nothing to see at ground level, and the enclosure is identified only through aerial and satellite imagery rather than excavation or survey. Phoenix Park is freely accessible, and the south-eastern area near the Magazine Fort is easy enough to reach on foot or by bicycle, but the circle itself remains a feature of photographs rather than of the landscape as experienced from within it. The uncertainty surrounding its origins is, in its own way, the point: a shape in the grass that might be a garden ornament, might be something older, and has not yet been resolved either way.

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