Its defining feature is not height or dramatic outline but persistence; after centuries of waterlogged ground, agricultural drainage, and the cutting of a stone-covered drain straight through its body, the form of the thing has refused to disappear.

The monument was recorded by O'Kelly in 1942 to 1943 and described as a circular platform rising just two feet, or roughly 0.6 metres, above the surrounding field. A continuous fosse, meaning a ditch encircling the platform, defines its boundary, and the overall diameter runs to around 190 feet, or 58 metres across. No entrance was identifiable at the time of survey, which is not unusual for earthworks of this kind; centuries of slumping, flooding, and casual disturbance can smooth away what was once a deliberate gap or causeway. What class of enclosure it originally was, whether a ringfort, a ceremonial site, or something else entirely, is not specified in the available record, and the waterlogged, marshy setting complicates easy comparison with better-preserved upland examples. What is clear is that a modern drainage operation at some point cut directly through the monument, leaving an interruption in the fosse that has nothing to do with its original design.

The enclosure is not accessible in any formal sense, with no path, signage, or managed site to speak of. For those with an interest in aerial archaeology, however, the monument has a second life; its cropmark is clearly visible on Digital Globe aerial photographs, where the contrast between the buried fosse and the surrounding soil reveals the circle with a clarity that standing inspection on the ground could never match. Cropmarks form when buried features such as ditches retain more moisture than the surrounding ground, encouraging denser plant growth above them, and that differential becomes legible from the air, particularly in dry summers. Visiting the area in person would require appropriate footwear for marshy ground and a tolerance for a monument that communicates itself through subtle undulation rather than obvious spectacle.